Smith’s Verdict: ***1/2
Reviewed by Tanner Smith
In the horror film “Get Out,” a white woman, Rose (Allison Williams) takes her black boyfriend, Chris (Daniel Kaluuya), to the countryside to introduce him to her family. They’re all accommodating, seemingly well-meaning white people who try to make Chris feel welcome, but something feels wrong. Things start off as awkward when Rose’s liberal parents (Bradley Whitford and Catherine Keener) and jock brother (Caleb Landry Jones) deliver one cringe-inducing (albeit benign) race-related comment after another. But when Chris meets the only other black people in town, he notices odd behaviors about them, which causes discomfort that only raises when the family’s friends gather at the house for a picnic…and that’s all I’ll say about “Get Out.” If you haven’t seen the trailer, just see this movie—the less you know about the story, the better.
That’s as much of the story as I’ll describe here, so I’ll just continue with the review. “Get Out” is the debut feature of writer-director Jordan Peele, best-known for comedic acting & writing, especially for the sketch comedy series “Key & Peele.” I’d say it’s an interesting departure for Peele to make a film like this, but then again, a good chunk of the first 45+ minutes of “Get Out” reminded me of a prolonged “Key & Peele” sketch, in which race relations (or lack thereof) is a factor and there is humor to be found in the sheer awkwardness/discomfort of one moment after the other. And the humor is also there to offset the more uncomfortable moments that leave audiences believing there is something wrong here but not knowing what it is, what will happen, when it will happen, and so on—to get to its ultimate final act, the audience has to endure one awkward moment after another as they try to determine what’s really happening here. The best way to relieve tension in these scenes is with laughter.
“Get Out” is a great mix of comedy and horror. It’s not downright satiric nor does it become overly serious; it’s just the right amount of both that entertains and also makes nearly every stomach in the theater churn. Peele is a bright-enough filmmaker that he’s actually able to approach the material with as much discretion as possible to make it work. He also doesn’t go too deeply into the subject of race relations and the pomposities and resentment that can sometimes come into play. He does have something to say about it all, but overall, it’s used to craft a unique story that I think Peele does a brilliant job putting together.
He gets great aid from his actors as well. Daniel Kaluuya is easily relatable as a man feeling out of place without knowing precisely why. Bradley Whitford and Catherine Keener as both funny and chilling, whenever they need to be each (or both). And I can’t neglect to mention the comedic highlight of the movie, and that is Lil Rey Howery as Rod, Chris’ best friend who is able to conduct his own detective work when Chris calls him via cellphone with clues. He provides the film’s biggest laughs himself.
What does all the oddness and awkwardness amount to? I won’t give it away here, but what I will say is much is revealed with effective twists, and while the final act may be paced a little too slow, I have to credit it for making me even more tense as I was A) waiting for answers and B) desperately wanting Chris to make it out the messed-up situation once those answers were revealed (and C) making me want to see the movie again, now that I have the answers). As is the case with the best slow-burn thrillers, I can’t wait to see “Get Out” again, knowing what I know now. And in addition, I also can’t wait to see what Jordan Peele comes up with next.