
By Tanner Smith
Continuing my countdown of my top 20 favorite films of the decade, here’s a recap: 20) Mad Max: Fury Road, 19) Fruitvale Station, 18) Hugo, 17) Parasite, 16) Spotlight, 15) Spider-Man: Into the Spider-Verse, 14) Midnight Special, 13) Take Shelter, 12) The Spectacular Now, 11) The Social Network, 10) Frances Ha, 9) Get Out, 8) Gravity, 7) The Dirties, 6) Boyhood, 5) Whiplash, 4) Inside Out…
3) RUBY SPARKS (2012)
“Quirky, messy women whose problems make them endearing are not real.” That is a line of dialogue from the wonderful magical-realism-based comedy-drama Ruby Sparks that needs to resonate with people who are constantly looking for their “ideal” mate.
“Ruby Sparks” is a film in which a lonely, desperate, hopeless-romantic writer named Calvin (Paul Dano) writes about a manic-pixie-dream-girl type named Ruby Sparks (Zoe Kazan, Dano’s real-life girlfriend and this film’s screenwriter). She’s the woman of his dreams, but she’s also someone who’s only real in his mind, which is something his brother Harry (Chris Messina), who is married and knows the honeymoon phase never lasts, tries to break down for Calvin, who simply won’t listen. But before long, it turns out he doesn’t feel the need to listen, as suddenly Ruby herself is manifested physically into his real life. At first, he thinks he’s gone crazy, until it becomes clear that other people can see her too. (There’s no explanation for why she’s suddenly “real,” and I don’t need one either. There’s only one throwaway line: “It’s love! It’s magic!”) Everything seems perfect for Calvin, until Ruby starts to develop thoughts and feelings of her own, which scares Calvin into thinking she’ll leave him. He realizes he can alter her personality and tries to change her to his liking…and by doing so, he also realizes that what he wants simply is not real and will never be.
I used to like “Ruby Sparks” just as an inventive, endearing comedy-drama, with some fantasy and romance and something to say about relationships. But it wasn’t until I was a few months into my relationship with my girlfriend (who is now my fiancee after five years) that I really started to appreciate it. I saw it a few times (and reviewed it) about a year before the relationship started. Then soon after that, I revisited the film and it had a strange effect on me. I found myself considering the main character (a writer named Calvin, played by Paul Dano) and the film’s theme of reality vs fantasy, and then I started analyzing my relationship with my girlfriend (Kelly) and what it meant to me.
I felt like Calvin at some point in my life—desperate for a relationship with a wonderful woman and having a clear idea of the kind of person I wanted her to be, failing to realize that the person I’m after isn’t a real person at all. It’s just an idea of who I thought I deserved in my life. In the film, Calvin learns this the hard way, and the line of dialogue that really cements it for him (and for us as an audience) is delivered by his ex: “The only one you wanted to be in a relationship with was you.”
It took me quite a while to learn it too and get what the film was really trying to say. There are times when my introverted nature gets the better of me, but when Kelly wants me to interact and be more sociable at a party or something, I’ll at least make an effort (something Calvin hardly attempts) even if it doesn’t always work out. There are times when I notice our differences as well as (or sometimes more than) our similarities, but I don’t try to change her to my exact liking. And if there’s a problem, we talk about it. We try to find a solution and we usually do. And we’ve been together for five years now. (And we’re engaged!)
So, it’s like personal experience blended with the messages of this 2012 indie film and influenced me to be the best I can be in a long-lasting relationship, and I didn’t even know it until I revisited the film whilst still in the beginning stages of my relationship. Since then, it’s become one of my all-time favorite films (#15 on my Top 100 Favorite Movies list), period.
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