Smith’s Verdict: ***
Reviewed by Tanner Smith
Size change in fiction has always fascinated me. It’s interesting to imagine the world you live in from a different perspective. What would it look like if you were bigger? Or smaller? Disney’s 1989 smash hit “Honey, I Shrunk the Kids” took it to the extreme, shrinking its heroes to ¼ inch in height so that an ordinary backyard becomes a treacherous jungle for them to trek through.
How does this happen? Well, brilliant but hapless scientist Wayne Szalinski (Rick Moranis) invented a machine that could shrink things down to microscopic size if he could get it to work. One of the neighbors’ sons, Ron (Jared Rushton), accidentally hits a baseball through the window and it somehow fixes the machine’s problem upon hitting it, causing it to work all too well, shrinking Ron, Ron’s older brother Russ (Thomas Brown), and both of Wayne’s own kids, Amy (Amy O’Neill) and Nick (Robert Oliveri). They’re too small to get Wayne’s attention, and they get swept up and taken out with the trash. So now they must travel miles worth of enormous backyard, where they come across many dangerous obstacles—bees, sprinklers, lawnmowers, and more.
Will they be saved? Will they be restored to normal size? Well, seeing as how it’s a family adventure by Disney, don’t feel bad in correctly assuming the answer to both questions is “yes.” Just have fun with this comedic, thrill-packed adventure and enjoy what it has to offer, which is a darn good time.
The thing that intrigues me the most about “Honey, I Shrunk the Kids” is its visuals. For a film released in 1989, many of the effects hold up surprisingly well. The sets are outstanding, with oversized props and glorious attention to detail. The jungle-like backyard looks unwelcoming. The animatronics, such as a giant friendly ant and a monstrous scorpion, look convincing—the ant especially will steal your heart…or at least it stole mine. At one point, one of the miniature kids is thrown into a bowl of Cheerios and milk, and it looks amazing. Even some of the blue-screen effects, such as a dangerous ride on top of a soaring bee, look nice. (Though, not all the blue-screen shots are well-done, such as when the kids are falling through the air—it’s a bit awkward. But those are so few and far between superior effects.)
If “Honey, I Shrunk the Kids” were all about the look, it’d be fine, but I was engrossed by the human characters walking through it all. The kids are all likable and are given room to develop and…”grow” (forgive the pun). Russ starts as a meek wimp who quits the football team and the behest of his former-jock father, Big Russ (Matt Frewer), and as the film continues, he becomes a swashbuckling hero and an unofficial leader of the minute group. Amy is a popular but shallow teenage girl who just wants to “get home, get big, and get to the mall,” but throughout the journey, her priorities change for the better. Nick is a pre-teenage version of his father, and all he wants is to be heard by his father; he gets his chance by providing an important clue by the end of the film. My favorite development came from Ron, who starts off as a bratty 12-year-old jock and is still a wise-guy by the end of the film but much friendlier. All four young actors do good jobs, but Jared Rushton as Ron impressed me the most.
But the film’s main comedy comes from the two sets of parents—Wayne and Diane Szalinski (Marcia Strassman) and Big Russ and Mae Thompson (Kristine Sutherland). Rick Moranis is delightful as Wayne, goofy enough for us to laugh at him but more than likable enough too. He’s a perfect everyman. (Honestly, I like Moranis’ work here a little more than his goofier roles in “Ghostbusters” and “Spaceballs.”) And speaking of “goofy,” Matt Frewer is surprisingly effective as Big Russ, a man who goes through his own change while worrying about his missing kids. Most of the laughs come from Wayne’s inventive method of searching the yard for the kids without even touching the ground, Big Russ’ reactions to Wayne’s bizarre behavior, and the byplay between parents trying to work together but simply can’t (er, they can, but they…won’t).
Oh, and there’s also the Szalinski family’s dog, Quark, who of course knows more than the human characters. Simply put, this dog is a delight. Anytime the camera is on him, he’s a natural actor.
The film is a ton of fun but it isn’t great. I get that it’s just supposed to be a fun adventure, but sometimes I think things turn out a little too well for these kids. Also, I’m not so sure James Horner’s music score is the best fit for this material—it’s a little too foreboding and overly serious at times. It makes scenes that are already intense (such as when the kids are about to be sucked into a lawnmower) overly so.
And I have to ask—where in the world did that killer scorpion come from?! It leads to a neat-looking fight between the scorpion vs. the ant and the kids vs. the scorpion, but seriously, where did that thing come from?
But whatever. “Honey, I Shrunk the Kids” is loads of fun and in the great tradition of Disney. Much of it still holds up today as it did in 1989 when it was originally released, and I have fun watching it now as much as I did when I was a kid watching it over and over.