Smith’s Verdict: *
Reviewed by Tanner Smith
“The Hangover Part II” is an example of Sequel B.O. (Box Office) Laziness—a classic case of a lazy attempt to cash in on the success of an unexpected box-office smash hit. The result is an obviously-rushed, overdone, and unbelievably lazy sequel that insults those who loved the original a couple years ago, and it also relates to the other version of “B.O.” And because it’s supposed to be a comedy, you can add “painfully unfunny” in there as well.
Don’t let the “Part II” in the title fool you—this is about as much of a continuation from the original story as “Home Alone 2: Lost in New York.” There is hardly an attempt to make any much of a difference this time around—the narrative structure is copied situation by situation, and it’s supposed to be “different” because the locations and McGuffins are different. News flash, guys—that doesn’t work! Continue the story! Don’t tell it again—we’ve seen it already!
Oh, and if there’s one good thing that can be said about everything in this sequel being traced back to many events in the original film, it’s that it serves as a guide for how much worse the original could have been.
“The Hangover,” released summer 2009, was a unique, clever spin on the “what-happens-in-Vegas” concept, in that it turned the outcome of the partying events of Las Vegas into a murder-mystery as the bachelor-partyers have many questions to find answers to, including where is the groom. It did not need a sequel. It had a great deal of spontaneity and surprise that made it all the more hilarious when we didn’t know what was coming and laughed at the results. And because the same narrative structure of that film is copied in “Part II,” there really is no surprise; we can see the jokes coming miles ahead. So when you’re not laughing at a comedy, you just sit there, feeling depressed. And that’s exactly how I felt when watching “The Hangover Part II.”
What do I mean by a lack of creativity that director Todd Phillips and his replacement writers (yes, “replacement” writers—how ‘bout that) convey onto “Part II?” Consider the opening. We see a wedding being prepared. There’s just one thing missing: the groom. The bride and her family calls the groom and his friends who are not there. And then, who should call?
If you guessed “Phil,” congratulations! You’ve earned the right to request a review for me to write!
Yes, Phil, the Bradley Cooper character in both films, calls, saying that there may not be a wedding. But wait! It’s different, you see, because it’s not the groom that’s missing—it’s the bride’s brother! And Phil actually acknowledges that “it happened again.” I don’t know if you can get the deadpan sarcasm when I say, “Wow. How different.”
And then, wouldn’t you know it—the film shows the opening-credits and we flash to before that call, setting up what will happen in this film. And don’t just think it’s that opening that is copied or that that is the only time we will ever hear the word “again” in this movie, because this movie loves to follow the same stuff laid out in the original film and apparently likes its characters to say, “it’s happening again!” Anyway, we find that Stu is getting married. Not to Jade, the friendly stripper from the other movie, but to a Thai-American woman, Lauren (Jamie Chung), who has no told backstory in how these two met. You’d think there would be a detailed explanation as to how and why these two are together, seeing as how things seemed to go fine between him and the stripper at the end of the first movie, and also having told off his bitchy girlfriend. But no—we just go with it because…she seems nice. Yeah, there’s no point in overstating this—the women in the “Hangover” movies have little to no personality.
I keep getting sidetracked here, and I haven’t even gotten to the rehashing of the characterizations of the leading men. Well, Ed Helms was Stu, an uptight, nervous dentist who ultimately stands up for himself after everything that’s happened in the first film; Bradley Cooper is Phil, an almost-total a-hole who becomes a little more respectful and learns a few family values; and Zach Galifianakis is Alan, the show-stealer of the original film who is an overgrown man-child who is just glad to have made friends on this trip. Oh, and there’s Justin Bartha as Doug, but he had no personality anyway, and he was only in the original film so he could disappear and be found near the end, so he could get married quickly. So, how are these newly-developed characters now? You won’t believe this—they’re pretty much the same people. Stu is more neurotic than ever; Phil is a huge a-hole (again); and Alan…actually, Alan is a lot worse this time around. This time, instead of a lovable, naïve slob of a man-child—he’s an unbearable, unstable lunatic. At first, I was wondering why Stu, Phil, and Doug were hesitant about inviting Alan to Stu’s wedding, but now, we understand why. Alan is a detestable person this time around. The character has taken a sharp, unpleasant turn, and I wanted to smack him in the face.
Stu’s wedding takes place in Thailand, and the movie substitutes Bangkok for Las Vegas. Wouldn’t you know it—the men party hard, and Stu, Phil, and Alan wake up in a dirty hotel room, having no memory of what happened before. Phil is more or less OK, but Alan is bald (OK fine, I chuckled when Alan checked if his beard was still there) and Stu has a Tyson-esque tattoo on his eye. Where’s Doug? Oh, he’s OK, he’s fine. He’s just back at Lauren’s place, having breakfast.
That’s right—Doug misses out on the action again! I guess we just needed the three-man “wolf-pack” that Alan desperately wanted to bring back. Come to think of it, I think Phillips wanted it back too.
But wait a minute! There’s a monkey in their room! Stu’s future brother-in-law is missing, but his finger is there! And the cackling, obnoxious Mr. Chow (Ken Jeong) is there with them…although he can’t explain what happens because after a massive hit of cocaine, he passes out! Oh joy, here we go again on another wild goose chase.
OK, I’m getting really tired writing this review and thinking of certain significant things that happen on this wild goose chase. They run around Bangkok (which is portrayed in a very smug manner, without ever capturing the gravity and true danger of the place) and they have misadventures before the wedding. There you go—that’s basically what happens. If you saw “The Hangover,” “The Hangover Part II” won’t surprise you in how things are going to play out. What’s missing? Jokes, wit, originality, appeal, fun, the freaking point! If you didn’t guess already by this point, I hated the movie and I hated the lack of trying. I don’t care if they moved the “fun” to a different country; freshness is not found in “rehash-art!”
And wouldn’t you know it—“The Hangover Part II” was a box-office success, because apparently all this film needed to do was show up and everyone would come flooding into the theater. Worse yet, it beat out “Kung Fu Panda 2,” which was released on the same day as this sequel, and did not rehash the same old story! If we don’t get a “Kung Fu Panda 3” because of this, I’m blaming Todd Phillips.