Smith’s Verdict: ***1/2
Reviewed by Tanner Smith
This is a “revised” review of “Adventureland.” I wrote my original review of the movie three years ago, and back then, I only kind of liked it. But oddly enough, I found myself watching it again recently—but that’s not the odd part. The odd part was that I watched it three times in the past week and found myself admiring it more each time. It happens sometimes—you feel one way after watching a certain movie, and you either love or hate it with subsequent viewings.
So I’m writing a new review on “Adventureland.” But I’m not going back to the original source. I’m starting from scratch.
I think I know what it was back then. I think at the time I watched “Adventureland” on DVD for the first time, knowing that Bill Hader and Kristen Wiig were among the cast and also that it was directed by Greg Mottola whose previous film was the hilariously vulgar “Superbad,” I was expecting a “Superbad-esque” comedy. And it didn’t help that the trailers and TV spots marketed the film to be a slapstick-filled, crudely-funny, wacky comedy. There are laughs to be had, a few sex jokes to be tossed around, a few beers to be had, a few joints to be toked (as well as pot-cookies to be consumed), and an annoying character that constantly hits the main character in the nuts…but “Adventureland” is actually more mature and insightful than the original trailer would like you to believe. It’s a comedy, but it’s based around realistic situations, truthful characters, and, surprisingly, a lack of cheap laughs. Crudeness and profanity are left at a minimum here. Artificial humor doesn’t seem to be at work here, and no laughs are forced (well, for the most part—like I said, there’s a groin-flicking d-bag, but he’s not overused). The mature themes of “Superbad” (growing up, knowing those you’re comfortable with, respecting the opposite sex, etc.) are more at work with “Adventureland,” with no distracting partying-cop characters to hang with the McLovin character.
So maybe I was expecting something a little broader, along the lines of “Superbad,” mainly because of deceptive marketing. The first time I watched “Adventureland,” there was at least something there to keep me entertained enough to like it. The second time I watched it, I noticed something a little more about the heart of the film. Now, with a few more viewings, I find myself admiring it even more for what it is rather than what I may have expected it to be. The truth of the matter is that “Adventureland” has a unique, effective balance between humor and honesty that doesn’t feel the need to be so crude in order to gain an audience along the lines of the Judd Apatow crowd. (Remember—Judd Apatow did not direct “Superbad.”) Instead, it’s a nicely-done coming-of-age romance with sharp writing, a smart sense, and realistic, appealing characters. Most of the characters are in their early-20s, which is unusual for a film like this, but remember that young adults can come of age in comedy-dramas too. And they’re real people too—not stereotypical cardboard cutouts of what we expect from such a film that the marketing would like us to think. The characters are treated with respect and dignity, and they’re three-dimensional as well.
Also noticeable is how much attention to detail is given to the undignified employment of a second-rate amusement park. In this case, that park is called Adventureland. It’s 1987, and the rides at Adventureland may be fun, but a few key characters work games. In a wonderful sequence early in the film, we’re introduced to the technical aspects of the games, all of which are rigged to be unwinnable—there’s a ring toss with rings that have the same width as the tops of target-bottles; there’s a series of mannequins with hats glued onto their heads so that players can’t shake them off with balls; there’s a basketball hoop that has been hammered into an oval shape; and so on. The idea is that no one can win the best prize in the park, which is a Giant Ass Panda (an oversized stuffed panda), because there aren’t many of those left. The other prizes are just disposable little stuffed animals with make squeaking noises. I’m not sure, but it seems as if the rules of this park comes from firsthand experience. I wonder if director Mottola, who also wrote the film, worked at such a place in the ‘80s.
James Brennan (Jesse Eisenberg) is a recent college graduate who lands a games-job at Adventureland for the summer, because his father lost his job and so his parents can’t pay for graduate school in New York City. The job basically requires him to run the game booths for minimum wage, and it’s not very exciting. But he does meet some interesting people, including Connell (Ryan Reynolds), the park’s maintenance man who is in a band and is said to have jammed with such rock stars as Lou Reed…and also plays the field despite being married. There’s also deadpan intellectual Joel (Martin Starr), who shows James the ropes and has something particular in common with James: awkwardness around women. That leaves Lisa P. (Margarita Levieva, astonishingly beautiful), the park’s main attraction (in a way), and Em (Kristen Stewart), a friendly girl-next-door type whom James befriends. James makes friends with his fellow employees at Adventureland, and due to his supply of joints, he also becomes popular among them. And he even finds himself falling for Em. But there are two problems that arise. One is that Lisa P. actually kind of likes James, much to his surprise (and everyone else’s, frankly), so he decides to go on a date with her, since he and Em aren’t “exclusive.” Another is that Em is actually Connell’s secret lover.
It’s a very complicated love story in that James and Em obviously like each other and share undeniable chemistry, but James is too impressed with himself dating the kind of woman who usually wouldn’t give him a chance, and Em is still in the middle of her affair with Connell and not sure how to end it. It’s complicated, and believably so. These are real people who make mistakes and of course learn to realize them, though sometimes after it seems like things may not turn out so nice. One of the most refreshing things about the Connell/Em subplot is that Connell is not characterized as a grade-A douche-bag. When he discovers that James has feelings for Em, he doesn’t try and ruin chances of a possible romance between the two. Although he does give certain advice that sort of unnerves James (which further leads to James going through with a date with Lisa P.), he’s not a jerk. We don’t forgive him for cheating on his wife, but the character is three-dimensional. Any other movie, he might be the villain who deserves a comeuppance. Here, he’s not entirely sympathetic, but he’s not dislikable either.
This goes back to what I wrote earlier about how these characters seem and feel like real people. James likes to think he’s smart and sophisticated, but he’s not as bright as he seems and he notices that as the film continues. Em comes from an uneven home, but she sometimes causes the problems with her stepmother. They’re not too bright, but they’re not too dim either. They feel like they’re patterned after real people. When James and Em are together, it feels real—awkward, but not terribly so; sweet, but not overdone; and funny, but within the context. The same kind of realistic conversational setup can be seen in James’ talks with Joel or Connell. And what about the affair? How is that handled? Without giving it away, it’s handled convincingly and refreshingly.
Jesse Eisenberg has been unfairly labeled as a “Michael Cera copycat” in this movie, but that’s really not fair. If anything, Eisenberg has a further amount of awkwardness to offer, and on top of that, a drier comedic wit. Every word he says, you know he’s trying to be careful in saying it, lest he say anything stupid, and thinking hard and quick about it first. He delivers a convincing portrayal of a geek, never overplaying it. And then there’s Kristen Stewart, also unfairly labeled, though for her it’s because of the “Twilight” movies. For goodness sake, leave Kristen Stewart alone. Stewart can act, and can act very well. Her performance in “Adventureland” is a demo I can immediately think about. Stewart plays Em as an appealing, fully-realized, modest girl-next-door type that would take a chance on James, and who James would fall for. She’s great here. Of the supporting cast, Ryan Reynolds is solid in a role that could have been too easy to play. Martin Starr is a great deadpan.
Oh yeah, I almost forgot about Bill Hader and Kristen Wiig as the adults who run the park. Personally, I find these two to be a distraction. Don’t get me wrong—at times, I find them funny (hell, even Hader’s porn-star mustache gets a laugh out of me); other times, they just seem unnecessary. They just come off as desperate needs for comic relief, and they’re not needed for that because we already have Joel and a few other (stoned) employees for that. I feel bad saying this, because I love these two comic actors—they were fantastic on SNL.
“Adventureland” doesn’t rely on crudeness, profanity, and vulgarity to attempt to get a story going. There are a few moments of such, but they’re far from overused. More importantly, this movie is actually about something. It’s about the routine experiences of a summer job, finding ways to keep it interesting through the people you meet and the misadventures you have, and with characters that grow a convincing bond together. It’s about structure and about character, and I loved spending time with these people. I wondered what would become of these people years down the road.
This is a coming-of-age comedy-drama that doesn’t disgust, doesn’t overdo its sweetness, doesn’t rely on cruelty for humor, and overall, doesn’t rely on familiar territory to keep it going. I liked this movie the first time I watched it; I love it even more now. Who knows? Maybe down the road, I’ll grow to forgive the film of the unnecessary Hader-Wiig characters and even grant it a four-star rating. Hey, it could happen.