The Rental (2020)

2 Dec

Smith’s Verdict: ***1/2

Reviewed by Tanner Smith

Thanks to today’s modern conveniences, we can go online and check for highly positive ratings on a restaurant or a hotel or an Airbnb homestay (instead of just take a chance on it regardless of customer reviews)…but we forget that there’s always that one chance that something will still go terribly wrong with our own experiences there.

How bad could it be? Well…worse than a one-star rating would suffice, let’s just say.

The characters in the low-key, chilling, stylish, and witty horror film “The Rental” are a small group of people who rent a large remote seaside dwelling for the weekend. Nothing wrong with a little time away from home…but this is a horror film, so even if they don’t know something’s bound to go horribly wrong, we sure do.

Directed by Dave Franco (brother of James and actor in films such as The Disaster Artist), making his feature directorial debut, and co-written by Franco and mumblecore king Joe Swanberg (who directed Franco in the Netflix series “Easy”), “The Rental” is very sly in setting up these four main characters as real people with moral dilemmas and easing the audience into the terror that is to come. Without giving away many particulars, lest I spoil the fun of discovering them for yourself, it begins as two couples–Charlie (Dan Stevens) and his wife Michelle (Alison Brie), and Charlie’s brother Josh (Jeremy Allen White) and his girlfriend Mina (Sheila Vand), who is also Charlie’s business partner–take a trip to this house on the Oregon coast for a weekend getaway, get high on ecstasy the first night, and, uh…Mina and Charlie hook up in the shower.

So far, we’re a half-hour in and “The Rental” just seems like an ordinary indie “dramedy.” It isn’t until about 10 minutes later that a chilling discovery is made that could kick things into high tension.

Oh, and why don’t Charlie and Mina call the police when they make this discovery? Because then, it would expose their little fling to Michelle and Josh! Priorities, of course.

That’s about as far as I’m going to go in describing the story of “The Rental” because going into the more chilling aspects of it cold is part of the fun, as things go from relaxing to uncomfortable to straight-up nightmarish for these people who don’t even suspect that there’s far more here than meets the eye. When answers are revealed, some may be turned off due to its ability to negate many other parts of the film, but that’s another reason I liked it–it uses an old-fashioned Hitchcockian approach to unraveling this chilling mystery.

I’ll sum up my final thoughts: The actors are solid, their characters are well-defined, Franco proves to be a capable director, the cinematography from Christian Sprenger captures the perfect establishing moods for both day and night, and what begins as an effective ensemble character piece smoothly descends into a twisted horror film. All of that, plus the creepiest ending (or rather, ending-credits) I’ve seen in a long time, makes “The Rental” more than worth recommending.

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